Gift CERTIFICATES?
PetPix PORTAL
Time Capsule STARSPawsitive FEEDBACK!
|
The Amazon Store at MillionDollarPetPix.com ( In association with Amazon.com )Mark Rothko: A Biography List Price: $45.00 Amazon.com's Price: $36.00 You Save: $9.00 (20%)Prices subject to change. Availability: Usually ships in 24 hours
This item ships for FREE with Super Saver Shipping.
Binding: HardcoverDewey Decimal Number: 759.13 EAN: 9780226074054 Edition: 1 ISBN: 0226074056 Label: University Of Chicago Press Manufacturer: University Of Chicago Press Number Of Items: 1 Number Of Pages: 707 Publication Date: November 15, 1993 Publisher: University Of Chicago Press Studio: University Of Chicago Press Related Items:
Browse for similar items by category: Click to Display Editorial Review: Amazon.com Review: "I became a painter because I wanted to raise painting to the level of poignancy of music and poetry." Born Marcus Rothkowitz in a small Russian town, Mark Rothko immigrated to Portland, Oregon, in 1913, when he was 10 years old. "You don't know what it is to be a Jewish kid dressed in a suit that is a Dvinsk, not an American, idea of a suit traveling across America and not able to speak English," he later told fellow abstract expressionist Robert Motherwell. Rothko was a weak child, an abandoned son (his father had gone to America in 1910 and died of cancer just seven months after the family was reunited), a Jew excluded from high school clubs, a Yale freshman on scholarship, and a college dropout determined to become an Artist with a capital A. James Breslin has written an exhaustive biography of the painter. He pulled together all the facts of Rothko's life and carefully examined all the strata of the artist's personality--Rothko's sensitivity, his sense of displacement, his pride and his diffidence, his combativeness, his love for his children, his hatred for Marlborough Gallery director Frank Lloyd, and his difficulties with money. The book is flawed only by Breslin's ticlike use of italics, which give the sense of the author tugging at our sleeve in an unnecessary effort to persuade: "Rothko's last and most severe renunciations were made not to remove obstacles between the observer and the idea but in a gesture of personal withdrawal." But this is a relatively minor trifle that does not unduly detract from this large--and large-spirited--book about a tormented, brilliant Artist. --Peggy Moorman Product Description: A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth century—a man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art—the personal costs and professional triumphs, the convergence of genius and ego, culture and commerce, that defined the New York art scene of the 1930s, 40s, and 50s—the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, Klein. "In Breslin, Rothko has the ideal biographer—thorough but never tedious, a good storyteller with an ear for the spoken word, fond but not fawning, and possessed of a most rare ability to comment on non-representational art without sounding preposterous."—Robert Kiely, Boston Book Review "Breslin impressively recreates Mark Rothko's troubled nature, his tormented life, and his disturbing canvases. . . . The artist's paintings become almost tangible within Breslin's pages, and Rothko himself emerges as an alarming physical force."—Robert Warde, Hungry Mind Review "This remains beyond question the finest biography so far devoted to an artist of the New York School."-Arthur C. Danto, Boston Sunday Globe "Clearly written, full of intelligent insights, and thorough."—Hayden Herrera, Art in America "Breslin spent seven years working on this book, and he has definitely done his homework."-Nancy M. Barnes, Boston Phoenix "He's made the tragedy of his subject's life the more poignant."—Eric Gibson, The New Criterion "Mr. Breslin's book is, in my opinion, the best life of an American painter that has yet been written . . . a biographical classic. It is painstakingly researched, fluently written and unfailingly intelligent in tracing the tragic course of its subject's tormented character."—Hilton Kramer, New York Times Book Review, front page review James E. B. Breslin (1936-1996) was professor of English at the University of California, Berkeley, and author of From Modern to Contemporary: American Poetry, 1945-1965 and William Carlos Williams: An American Artist. Average Rating:
 Rating: - YIKES ITS 700 PAGES LONG !!!!I wasnt that interested in his childhood..its the adult fired from brooklyn college unable to sell many paintings id like to know more about!!!! However this is the book to read if you want to know the facts of his life. Rating: - Read This BookI am a painter, an art professor, and a reader of biographies. I couldnt put this book down. Breslin did a magnificent job of getting inside the psyche of Rothko as a man, and as an artist. The paragraphs that describe the way in which Rothko created one of his paintings is absolutely inspired....I had goose-bumps reading it, because it seemed as if Breslin,unlike many writers who say they have observed artists, actually understood the process of creation and the passion behind it. I have never ... Read More Rating: - For Rothko, the best a book can doNo book can do Mark Rothko justice. He painted on large canvases. To know him is to confront his original work on the wall before you. Find your distance, 10, 15, maybe 30 feet back. Yet to make sense of his colored rectangles tearing themselves apart in fission, as well as his earlier, quite different work, some background helps. Breslin's book will become the standard reference, but not perhaps the starting point. He writes engrossingly, but the ... Read More Rating:  - Exhaustive, too easy to put down.If you really want to know Rothko, read Dore Ashton. Breslin tends to simplify things and I don't think that he really loves Rothko or has communicated with the paintings. Only for die-hard Rothkoites like me. 
|
||||
|
|
|
|
|
|
|||
